Diane Blaine has the face of a movie star. Unfortunately, fallen star/tabloid queen Jamie Stephens already made it famous. Hollywoods constant rejection due to what Diane refers to as "TJS" ("Too Jamie Stephens") has made her bitter, frustrated....and, yes, whiny. Co-worker/boyfriend Jack Sanders doesnt help matters. His idea of ambition is letting it ride. Now hes in major debt to a trigger-happy mobster who, interestingly enough, has a thing for Jamie Stephens. Jacks only way out? Convince Diane to be Jamie and wipe out the debt having one meal with a made man. Its literally the performance of her life. With Jacks on the line.

This Portuguese three-CD boxed set seems to be drawn, for the most part, from the actual soundtracks of Hollywood films released between the 1930s and the early 50s. European copyright law places recordings more than 50 years old in the public domain, so the 2001 set cuts off strictly at the start of the 50s. This is, therefore, an unauthorized, if not technically illegal set, and "buyer beware" reservations apply. Sound quality is variable; most of the tracks are in mono, some muffled, although there are occasional stereo recordings, suggesting that the compilers have simply lifted a track from one of Rhino/Turners compilations of MGM movie soundtracks. Since the material is mostly taken from the films themselves, the performances are sometimes incomplete, conforming to the dramatic dictates of the onscreen story. For example, Betty Grables rendition of "I Cant Begin to Tell You" from The Dolly Sisters is little more than a fragment imbedded in a scene with plenty of dialogue, and, oddly, also included on the track is a big piece of the next scene, which doesnt feature Grable or the song at all. The albums sparse annotations often fail to credit prominent male performers joining the women who are the albums reason for being. For example, "Baby, Its Cold Outside" from Neptunes Daughter is really a duet between Ricardo Montalban and Esther Williams, not a Williams solo, and "Paducah" from The Gangs All Here begins with the clarinet and lead vocals of an uncredited Benny Goodman before giving way to Carmen Miranda. So, this is a sloppily edited, random gathering of film music (and it could have fit on two CDs instead of three), but it contains performances by many of the major female musical stars of the golden age of Hollywood movies, and it is relatively inexpensive.

Diane Blaine has the face of a movie star. Unfortunately, fallen star/tabloid queen Jamie Stephens already made it famous. Hollywoods constant rejection due to what Diane refers to as "TJS" ("Too Jamie Stephens") has made her bitter, frustrated....and, yes, whiny. Co-worker/boyfriend Jack Sanders doesnt help matters. His idea of ambition is letting it ride. Now hes in major debt to a trigger-happy mobster who, interestingly enough, has a thing for Jamie Stephens. Jacks only way out? Convince Diane to be Jamie and wipe out the debt having one meal with a made man. Its literally the performance of her life. With Jacks on the line.

Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but dont have Hollywood budgets

Run your own Hollywood studio, produce big budget movies and become the greatest producer ever! In Hollywood Pictures 2 you are taking over the directors chair!

iPhone 2.1 and iPod Touch | 7.6MB | English

From Hottrix, the entertainment industry app leader, comes your ticket to the A list.
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Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream.

"For movie-lovers everywhere, it provides a fascinating behind-the-scenes look at how art and science meet in producing motion pictures we find delightful." -- Science

"For that strange corner where science nut meets movie buff, this is a very enlightening book." -- Booklist

"From prophetic early films like 1929s Woman in the Moon science-focused movies like 2001: A Space Odyssey to admitted fiascos like The Core, Kirbys command of the subject makes for entertaining reading and, likely, more informed viewing." -- Publishers Weekly

All the orchestral sounds needed to create complex arrangements that will rival those heard in bigbudget, blockbuster movies. Sensuous strings, bold brasses and wonderous woodwinds come together to create an amazing arsenal of sound at your fingertips.

Hollywood Loops presents, Eerie Cinema.
Inspired by all the great scary movies and the music that makes them have such impact, Eerie Cinema is perfect for any composer seeking to add Dark Eerie Cinematic elements to their music. From long evolving soundbeds (each over a minute in length) to disturbing drones, big deep booming hits and creepy clangs, this Eerie cinematic library will add just that creepy scary horrific element you need. Ideal for use in film, trailers, television and video game composing. Also ideal for use in all music productions from ambient, electronic, Rock and Metal.

Highlighting visions of a bygone age preserved in the background of Harold Lloyds films, this history explores the urban landscapes of Hollywood, Los Angeles, and New York--popular settings for his films--through archival photographs, vintage maps, and scores of then-and-now photographs. From Coney Island to Catalina Island and from Brooklyn to Beverly Hills, Lloyds timeless movies reflect visions of early 20th-century America unequalled on the silver screen and exemplified in the historical settings found in such classics as Safety Last, Girl Shy, The Freshman, and Speedy. Tracing Lloyds career from his early work to owning and operating his own studio, this account illuminates Lloyds mastery of his oeuvre--an actor and film-maker more popular than Keaton, more prolific than Chaplin, and who sold more tickets than any other comedian of his era, as well as a comedic genius whose expert staging and editing have influenced films for decades.

Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but dont have Hollywood budgets.

Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but dont have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music. Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there.

A documentary on DIY producer/director Roger Corman and his alternative approach to making movies in Hollywood.

Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but dont have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music. Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there.

Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but dont have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music. Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there.

Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but dont have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music. Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there.

A fully revised edition of the popular guide to Hollywood finances, updated to reflect even newer films and trends

In a Freakonomics-meets-Hollywood saga, veteran investigative reporter Edward Jay Epstein goes undercover to explore Hollywood’s “invisible money machine,” probing the dazzlingly complicated finances behind the hits and flops, while he answers a surprisingly difficult question: How do the studiosmake their money?