Phantom Lady is a fictional superheroine, one of the first female superhero characters to debut in the 1940s Golden Age of Comic Books. Originally published by Quality Comics, the character was subsequently published by a series of now-defunct comic book companies, and a new version of the character currently appears in books published by DC Comics. As published by Fox Feature Syndicate in the late 1940s, the busty and scantily-clad Phantom Lady is a notable and controversial example of "good girl art," a style of comic art depicting voluptuous female characters in provocative situations and pin-up poses that contributed to widespread criticism of the mediums effect on children. Phantom Lady was created by the Eisner & Iger studio, one of the first to produce comics on demand for publishers. The characters early adventures were drawn by Arthur Peddy. This is an original collection of scans arranged into a tpb.

Driven by a history of dating pitfalls and frustration with men, Alexis and her best friend Lindsay decide to turn the tables and devise a plan to lure unsuspecting men close enough to knock them out and drag them back to their lair for their own satisfaction. When an absent father and an obsessive ex-boyfriend force Alexis to confront her issues with men, the girls plan goes awry and Alexis falls head over heels in love with one of her male conquests. Lindsay, consumed by her darker nature, decides to go out on the hunt alone, leading to her arrest. In the end, the girls reunite and recognize the strength of their friendship and that ultimately; their own self worth determines how men will treat them.

Students, teachers and schools are under attack. The assault comes in the guise of accountability and choice, cloaking itself in the scientifically-proven with an over-emphasis of data. It combines a vilification of organized labor along with a promotion of the irrational, while readily blurring the line between utopia and dystopia. The attack abuses education as it disseminates self-serving propaganda, simultaneously covering up inconvenient truths like the United States governments long and storied relationships with Saddam Hussein and Osama bin Laden in the Wars on Terror.

Epic tale of three brothers and their father living in the remote wilderness of 1900s USA and how their lives are affected by nature, history, war, and love.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

A chilling vision of the House of Saddam Hussein comes to life through the eyes of the man who was forced to become the double of Husseins sadistic son.

Pianos From Da Hood by Fox Samples features 25 of the rawest, most authentic street piano anthems ever put into a sample pack format. These loops come in WAV and MIDI formats and are suitable for a wide range of music genres as Hip Hop, Rap and R&B.

Product Description:
Liner Note Author: Hugo Keesing.
Editors: Colin Escott; Bill Geerhart.
Illustrators: Country Joe McDonald; Eddy Harrison; R.A. Andreas; Tim Otto; Bobbie Keith; Frans Keesing; Darrel Diedrichs; Jim Hatch; Wayne Pelke; Vincent Gabriel; Paulette Carlson; Sarge Lintecum.
Photographers: Country Joe McDonald; Eddy Harrison; R.A. Andreas; Tim Otto; Bobbie Keith; Frans Keesing; Darrel Diedrichs; Jim Hatch; Wayne Pelke; Vincent Gabriel; Paulette Carlson; Sarge Lintecum.
Bear Family is no stranger to ambitious box sets, but theyve never attempted anything as monumental as ...Next Stop Is Vietnam: The War on Record 1961-2008, a staggering 13-disc aural history of the U.S. entanglement in Nam. The size of the set is suitably weighty for the topic, and the leisurely length allows explorations of plenty of curious detours -- left turns that wind up telling more about how the war cut into the fabric of American society than the well-known anthems that anchor this set. Many of the usual suspects surface -- Dylan setting the stage with "Masters of War," SSgt. Barry Sadler celebrating "The Ballad of the Green Berets," Phil Ochs refusing to march and the Fugs killing for peace, Country Joe & the Fish protesting with "I-Feel-Like-Im Fixin-to-Die Rag" and John Lennon following suit with "Give Peace a Chance," Merle Haggard firing back with "Okie from Muskogee" and "The Fightin Side of Me," Marvin Gaye wondering "Whats Goin On" -- but their appearances almost feels like historical context for what surrounds them, much like how the speeches and news reports scattered throughout the box explain the situation. Whats really interesting about the set is what exists in the margins, the answer records to these anthems, along with their parodies and rip-offs, the reactionary country singles from the late 60s, songs recorded by soldiers in the field, the many reflections on the war written in the 80s and 90s, the sticky sentimental recitations by children from the pre-protest 60s, folk laments to POWs sitting alongside an ode to "Johnny Rambo," Bob Segers "The Ballad of the Yellow Berets," even Hank Williams, Jr.s "Dont Give Us a Reason," where he taunts Saddam Hussein during Desert Storm, all as a payback for Nam. Much of this is not well known and much of it isnt exactly compelling outside of the context of this set -- and it has to be said that a handful of the 300-plus tracks arent interesting within this context either, particularly the odd inclusion of three 2001 cuts from Paul Revere & the Raiders -- but the whole point of ...Next Stop Is Vietnam is context, how by housing all these conflicting voices in one very heavy box Bear Family winds up with a testament to how the war deeply affected Americans for generations. Not exactly easy listening -- nothing of this size is -- but it is a monument, capturing the entire messy divisive legacy of Vietnam in a way no book, documentary, or movie ever has. ~ Stephen Thomas Erlewine