Description:
AVATAR takes us to a spectacular world beyond imagination, where a reluctant hero embarks on an epic adventure, ultimately fighting to save the alien world he has learned to call home. James Cameron, the Oscar-winning director of "Titanic," first conceived the film 15 years ago. Now, after four years of production, AVATAR, a live action film with a new generation of special effects, delivers a fully immersive cinematic experience of a new kind. We enter the alien world through the eyes of Jake Sully, a former Marine confined to a wheelchair. But despite his broken body, Jake is still a warrior at heart. He is recruited to travel light years to the human outpost on Pandora, where corporations are mining a rare mineral that is the key to solving Earth`s energy crisis. Because the atmosphere of Pandora is toxic, they have created the Avatar Program, in which human "drivers" have their consciousness linked to an avatar, a remotely-controlled biological body that can survive in the lethal air. These avatars are genetically engineered hybrids of human DNA mixed with DNA from the natives of Pandora... the Na`vi.

In this series of lessons, we’ll be entirely removing a foreground object using camera projection techniques.

In this series of lessons, we’ll be entirely removing a foreground object using camera projection techniques.

In this collection of lessons we will focus on working with anchored objects in InDesign.

In this InDesign tutorial we will learn about the process of assembling multiple files into an InDesign book and then managing and implementing features across this book.

In this collection of lessons we will learn how an artist can get started painting digitally inside of Photoshop. We will begin by taking a quick tour around the user interface learning the location of important tools and panels. Next, we will learn how we can create and manage layers in Photoshop. From here we will dive into some of the most commonly used tools for digital painting, learning where they are and how they work. After spending some time learning how to select and store colors, we will jump right into setting up a composition with a sketch where we will discover the difference between resizing and resampling our artwork. Next we will take a glimpse into the painting process by first blocking in some color and then blending it together. Along the way, we will learn how to create custom brushes and patterns as well as how we can utilize these to paint textures. We will wrap things up by learning about layer masks and what we can be on the look out for to make our textures more believable.

In this video tutorial on NUKE , we will completely remove the foreground object, using the technique of Camera Projection . We will create a clean-plates in Photoshop , and place them on the cards in the NUKE to recreate the scene in 3D.

Artist: Swans
Album: We Rose From Your Bed With The Sun In Our Head
Year: 2012
Genre: Rock
Bitrate: VBR 192-320 kbps
Format: MP3
Tracks: 6
Size: 176 mb

This is the second DVD from 2 DVD tutorial series for dynamic expressions in Maya.Through the use of particle expressions,we gain a greater degree of control over particle attributes. This lecture demonstrates how to isolate individual particles and transform them based on user defined criteria. By combining several techniques, such as custom per particle attributes and ramp controlled attributes, we can create effects that are impossible otherwise. Random or wave producing funstions such as rand and sin are simple by themselves, but by combining these (and other functions) with conditionals, event and curve functions, we can control not just how particles behave, but when and why.

In this NUKE tutorial, we?ll be entirely removing a foreground object using camera projection techniques. Well create clean plates in Photoshop, then put them onto cards in NUKE to re-create the scene in 3D. Well begin the tutorial by solving a 3D camera with the NUKEX camera tracker. Then well make the 3D scene more human readable and examine the card workflow. Then well use Photoshop to create a clean-plate of our primary foreground element. Then well learn techniques for matching a card to our 3d footage. For here we will repeat the process a number of times for the rest of the foreground sign, the background sign and even the walls. Along the way we will encounter issues and examine ways to fix or get around these common problems. Well finish the tutorial with a shot that has the object completely removed

In this NUKE tutorial, we?ll be entirely removing a foreground object using camera projection techniques. Well create clean plates in Photoshop, then put them onto cards in NUKE to re-create the scene in 3D. Well begin the tutorial by solving a 3D camera with the NUKEX camera tracker. Then well make the 3D scene more human readable and examine the card workflow. Then well use Photoshop to create a clean-plate of our primary foreground element. Then well learn techniques for matching a card to our 3d footage. For here we will repeat the process a number of times for the rest of the foreground sign, the background sign and even the walls. Along the way we will encounter issues and examine ways to fix or get around these common problems. Well finish the tutorial with a shot that has the object completely removed

In this InDesign tutorial we will learn about the process of assembling multiple files into an InDesign book and then managing and implementing features across this book. We’ll begin this process by learning how to quickly create files for our book using a document template.

In this collection of lessons we will learn how an artist can get started painting digitally inside of Photoshop. We will begin by taking a quick tour around the user interface learning the location of important tools and panels. Next, we will learn how we can create and manage layers in Photoshop. From here we will dive into some of the most commonly used tools for digital painting, learning where they are and how they work.