The Yardbirds Live at the BBC (Warner Archives 2-46694, 1997) compiles 26 recordings made for broadcast from eight different sessions between 1965 and 1968. All the songs feature either Jeff Beck (1965–66) or Jimmy Page (1967–68) on guitar. Eric Clapton left the group shortly before the first recording session represented on this CD.

BBC Review
Controversial this may seem, but the biggest benefactors of The Beatles splitting up were The Rolling Stones. Throughout the 1960s the two of them, whether by accident or design, were interlinked and took it in turns to top the charts with their nifty beat numbers and upset the establishment. Having literally - as generally considered - ended the 60s dream themselves when they staged their Altamont concert, the Stones were free of the competition and stared down the barrel of a new decade with their own label and a loosening up of their sound. Gone was the aping around in wizard hats; now a grittier, sleazier, bluesier rock and roll was back, and the years ahead were theirs for the taking. Packaged in a lavish box, with CD single-sized replicas of each sleeve and featuring a total of 173 tracks, over 80 of which are not currently available on official releases, this is catnip for any serious Stones collector not currently undergoing a financial crisis. And, obviously, its only produced in limited numbers. Naturally youre going to find the cash somehow. The first few discs are stunning. With Brown Sugar, Wild Horses, Tumbling Dice, Happy and Angie, they delivered a run of singles that any act would be honoured to come up with. The B sides werent too shoddy either, with Bitch, Sweet Black Angel and Silver Train as evidence. In fact, how can anyone argue with a release that includes Emotional Rescue, Miss You and Undercover of the Night? Even in 1990s Almost Hear You Sigh is an underrated nugget from when the idea of ??being interesting in the studio was still prevalent, questions of how much they could make by playing colossal tours still in their infancy. From then on, however, it goes downhill a bit. The extra tracks are either (admittedly rather good) live versions or revisits of previous glories. And it would take a will of steel to sit through the half-dozen or so remixes of latter numbers such as Saint of Me or Anybody Seen My Baby, tackled by the likes of Todd Terry, Deep Dish and Armand Van Helden. So 45 x 45 is strictly for the hardcore. Those wanting a more straightforward best-of would be best served by getting the effortless majesty of 2002s sublime 40 Licks or Jump Back compilations. But that doesnt take anything away from the fan-pleasing completeness of this lavishly packaged set.

Paul Oakenfold has always been a DJ who has refused to give himself exclusively to one genre. Throughout his career his sets have always been musically varied but consistently melodic and energetic.This variety and adaptability have led to an equally varied spectrum of live shows – from warming up for U2 and Madonna on worldwide arena tours through to sunrise sets at underground Psy raves – Paul Oakenfold’s ability to rock any crowd is unique.

Complete, unedited 1996 show from the Olympia in Paris, released to celebrate their re-signing to EMI. Contains 17 tracks, including Woman From Tokyo, Smoke On The Water, Perfect Strangers and Highway Star. The line-up here is original members Ian Gillan, Jon Lord, Ian Paice & Roger Glover along with Dixie Dregs guitarist Steve Morse. Double slimline jewel case. 1997 EMI release.