One of the hottest trends in wedding photography is the storybook wedding album - taking photographs and turning them into eye-catching collages and artistic images. Join Scott Kelby, best-selling author and editor of Photoshop User magazine, as he reveals the secrets to creating amazing images that you can reuse over and over again by creating templates.
If theres one thing youve learned as a wedding photographer, its this: When it comes to weddings, real life isnt good enough. Without Photoshop to turn gray skies blue, make red eyes clear, and transform not-so-storybook events into fairytale affairs, youd be in a heap of trouble. With this DVD, you’ll discover how to create reusable storybook wedding templates. Uniting both mediums is author Scott Kelbys easy-to-follow format and fun, fast narrative. Between the disc and guide, youll will learn how to use Photoshop to correct image color, remove blemishes, change backgrounds, create sepia-toned prints, tint images and more as you discover how to employ custom layouts, create re-usable templates, and produce

Wedding Motion 7 contains 30 animated graphics for wedding video producers. These animations add value to your wedding productions and save you time in producing custom graphics. These graphics are easy to use, as they load onto your timeline just like any other video clip.

Jim Levenstein has finally found the courage to ask his girlfriend, Michelle Flaherty to marry him. She agrees to get married, but the problems don t stop there for Jim. Now along with Paul Finch and Kevin Myers, Jim must plan the wedding. Unfortunately Steve Stifler is in town and won t let the wedding go past without having some fun himself, which includes setting up a secret bachelor party.

Wedding photographers do not get to pick the shooting schedule on the day of the wedding, which means they may be shooting portraits at odd times, when lighting conditions are not at their best. In this course, Cliff Mautner shows viewers some tips and tricks for creating consistent, quality wedding images regardless of the lighting conditions. He starts with early morning light, tackles the bright sun of high noon, and races the falling sun of dusk. This course is designed to help photographers take anytime light and make good light out of it.